Month: December 2014

Hitting branches

On Sunday, my mono-scene class had its last show (at the Magnet, Level 4 and up get four shows, ‘cos you get to be a better performer by performing). It wasn’t great. When our instructor gave us notes afterwards, one of my classmates started apologizing, and the instructor broke to give us a quick pep talk instead:

Mistakes are part of this. We all want to be perfect improvisers, and we will NEVER be perfect improvisers, none of us. No matter how long you do it, you will ALWAYS be messing up. We’re all trying to climb this impossibly tall unclimbable tree, and all we can do is try to hit a few branches on the way down so we don’t land quite so badly. That’s all improv training is, is learning how to hit branches during our inevitable fall.

Style

Back line podcast, #16: 13:44

When I think about… troupes with 4 people in them… it seems like there’s always

  1. an oaf, someone who’s falling down, bringing the lights, a clown, almost;
  2. there’s usually one person who’s very sardonic, who’s kind of a cynic, taking a look at scenarios and pointing out how dumb they are;
  3. there’s usually someone who… is just funny; they just say and do funny things; maybe this is through characters… they have a natural essence that the audience just loves, they’re very charming;
  4. and then the last one is somebody who kinda holds the show together, acts as the “improv dad” or the narrator… pushes the show forward, kind of brings an energy to it.

I think that’s pretty consistent for most 4-person troupes.

And it’s interesting to see teams that have two of those people on their team. Either they get along very very well, or there’s a non-spoken conflict, and eventually one of those people leave.

 

This is interesting to me less because I have plans of creating a four-person team, but more because it’s never occurred to me that you can boil (all? most?) improvisers’ styles down to such clearly-defined labels.

A comparison:

I’ve taken art classes. One of the first things an Art 101 instructor has to do is get all these pretentious art students to put aside their preexisting “styles”— which have usually grown out of avoiding whichever art skills they struggle with— and learn how to draw like everyone else. Style will come later. For now, learn the rules… then you can break them, consciously & intentionally, instead of breaking them because you’re incapable of following them.

My improv training feels similar. I don’t think I have a specific intentional style yet, but (like all improvisers) I do have a tendency to use the skills I’m better at more often, and ignore the ones I’m bad at. Bad habits + proclivities ≠ style.

 

……….

My first thought when I heard the quote above was, “I don’t have a style yet; I wonder which style I’d fall into.”

My next thought, after scribbling it down and rereading it, was, “…huh. no, if I were to form a four-person troupe tomorrow, I’d totally be the cynic.”

Calling out the crazy is something I can usually rely on for laughs, but several of my instructors have told me that I’ve erred on the side of “commenting” on the scene, of tearing my partners down, of saying no instead of yes. They’ve also praised me for “calling it out” and “saying the thing,” so I’m not totally doing the wrong thing— I just have trouble seeing that line and recognizing when I’ve crossed it.

…I’m digressing.

POINT: I’m not good enough to have a style yet. I don’t think my cynicism is entirely a style choice; it’s a scared improviser clinging to what seems to work.

But on the other hand… are “charisma” and “improv dad” conscious style choices? Or are they just… what people’s personalities lead them to be good at, and what they unintentionally fall into doing?

 

Shake it off

Lately I’ve realized that a lot of really good improvisers shake onstage. I noticed a house-team guy do it once, and now I’ve started to specifically look for it. I don’t bring it up to be cruel; rather, it’s comforting to find out that I’m not alone in being scared as hell onstage, and comforting that you can still be amazing even if you are scared as hell.