I feel sticky.
I’m standing outside a closed green door in a hot windowless hallway in central Philadelphia, listening to voices on the other side of the door go through a three-line scene exercise, and skimming old class notes on my phone. I have done zero improv in three months. No shows, no books, no classes, no practices, no nothing.
I’m nervous and fidgety but strangely fearless.
I moved to Philly six months ago, and this is my first time in the local improv community. There are no expectations from anyone. I have nothing to prove, nothing to lose.
The first class goes off with minimal hitches. I’m definitely rusty, but it’s more like… my finer points have rusted off. I feel like I’m making generally good choices. There are lines where I blather on longer than I should. There are scenes where I get too emotional too quickly. There are scenes where my emotional state flip-flops, where I lose my commitment and forget things I’d said three lines earlier. But the basic instincts are still there.
The class seems a little shy and scared and low-energy. Nick Kanellis once mentioned that you can pump energy into a low-energy room by being loud (he meant a low-energy audience, but c’est la vie), so… I’m being my loudest and most energetic and most outgoing in hopes that it’ll rub off on everyone else. It’s a little exhausting, but that’s show biz, or something, right?
Here, apparently they do a montage for their 101 show, and it seems like there are no beats, just a sequence of scenes. I’m not sure how the scenes are supposed to be interrelated yet. (Guess I need to go watch a 101 show!) But that’s what we do instead of warm-up scenes.
We warmed up with Pass the Face, and a dance-in-the-middle game, and Loserball. We worked on our initiation ideas with A-to-C-ing, and we played New Choice to address specificity and bad habits, and we did some montages. And a variation on crazy eights, which I NAILED [preen preen].
I don’t feel out of place. I don’t feel way ahead of anyone, and I don’t feel way behind. There are some really strong talents in my class, and I’m excited to play with them more in coming weeks.
Yay! The improv-shaped hole in my heart is being refilled!